The Rolling Stones - Flowers [1967] [SACD ISO 百度云]

流派：Pop 流行
语种：英语
发行时间：1967
唱片公司：环球唱片
类型：录音室专辑 SACD ISO

SACD专辑简介
1967年是滚石出道的第四个年头,这年是他们的多事之年.也是出专辑最受争议的一年,1967年，滚石发行了乐队最为流行华丽的一张专辑《Between the Buttons》，获得一致好评。专辑中的《Let's Spend the Night Together》和《Ruby Tuesday》都成为滚石乐队的代表曲目。1967年2月，Jagger与Richards由于藏毒被逮捕。三个月后，Brian Jones因为同样的罪名被逮捕，但幸运的是，三人很快就重获自由。为了对抗The Beatles，滚石在获释之后发行了迷幻/试验专辑《Their Satanic Majesties Request》。尽管媒体和歌迷对这张专辑的褒贬不一，但专辑最终还是进入了排行榜的前三名。这张专辑主要选取了一些未在美国发表的英版专辑含有的曲目。

SACD音乐曲目:
1. Ruby Tuesday
1967年版的Single Version
2. Have You Seen Your Mother, Baby, Standing in the Shadow?
1966年版的Single Version
3. Let's Spend the Night Together
1967年版的Single Version
4. Lady Jane
1966年版的《Afermath》Albums Version
5. Out of Time
和UK的《Aftermath》版比删节了两分钟左右
6. My Girl
以前未正式发行，录制于1966年
7. Backstreet Girl
8. Please Go Home
9. Mother's Little Helper
10. Take It or Leave It
11. Ride on Baby
以前未正式发行，录制于1965年

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ismissed as a rip-off of sorts by some critics as it took the patchwork bastardization of British releases for the American audience to extremes, gathering stray tracks from the U.K. versions of Aftermath and Between the Buttons, 1966-1967 singles (some of which had already been used on the U.S. editions of Aftermath and Between the Buttons), and a few outtakes. Judged solely by the music, though, it's rather great. "Lady Jane," "Ruby Tuesday," and "Let's Spend the Night Together" are all classics (although they had all been on an LP before); the 1966 single "Mother's Little Helper," a Top Ten hit, is also terrific; and "Have You Seen Your Mother Baby, Standing in the Shadow?" making its first album appearance, is the early Stones at their most surrealistic and angst-ridden. A lot of the rest of the cuts rate among their most outstanding 1966-1967 work. "Out of Time" is hit-worthy in its own right (and in fact topped the British charts in an inferior cover by Chris Farlowe); "Backstreet Girl," with its European waltz flavor, is one of the great underrated Stones songs. The same goes for the psychedelic Bo Diddley of "Please Go Home," and the acoustic, pensively sardonic "Sittin' on a Fence," with its strong Appalachian flavor. Almost every track is strong, so if you're serious about your Stones, don't pass this by just because a bunch of people slag it as an exploitative marketing trick (which it is).