Barchet Quartet - Beethoven: String Quartet, Bach: Violin Concertos[SACD ISO DSD64 百度云]
Artist: Barchet Quartet
Title: Beethoven: String Quartet, Bach: Violin Concertos
Year Of Release: 1962
Label: Tower Records
Genre: Classical
Quality: DSD64 image (*.iso)
Total Time: 02:37:44
Total Size: 4,28 GB
Hi-Res无损音乐专辑简介：
Bach by soloist of Barchett, Beethoven of quartet led by former master Barchett.
The first SACD with a new remastering from the original master for a famous performance that everyone knows!
SACD is a two-disc set of three classical violinist Barchett's masterpieces. All are revived with fresh sound quality by new remastering from the original analog master tape. Please enjoy both the quartet performance, which can be said to be the ultimate in fulfillment, and Bach's solo performance utilizing beautiful sounds. The CD layer has also been renewed.
Reinhold Barchett (1920-62) was the last violinist to follow the flow of German string masters. The phrasing was clean, with a plain sound that did not add much vibrato, and the performance was full of subdued brilliance and subdued internality. This SACD 2-Disc set features Beethoven for two LPs of the Barchett Quartet, which he presided over, and Bach's violin, where he played solo, in order to enjoy the above-mentioned characteristics of his performance slowly with a wonderful analog sound. Contains plenty of recordings for three LPs, one of the concertos.
First, the Barchett Quartet, he became the concertmaster of the Stuttcult Chamber Orchestra soon after the war, recording Vivaldi's "Four Seasons" (Decca PROC-1706) and soon after gaining a worldwide reputation. Formed in 1952. The complete works of Mozart's string quartets and string quintets, which they recorded on VOX in the early days of LP, are also known as masterpieces. The three Beethoven songs on the Eurodisc are precious sound sources that were recorded in stereo just before he died in a car accident at the age of 42.
From the beginning of DISC1's String Quartet No. 9 《Razmovsky No. 3》, I am drawn to the tone and expression that makes me feel a deep gaze in the introduction. Although the brightness and vitality of the main part also make you feel calm and gorgeous, the contrast with the introduction part is enough, and it is tied to the dignified performance and unwavering modeling as a whole. The energetic dynamism of the ensemble, the clean rhythm, and the pulsating timbre of the light and shade make for a truly exquisite expression of the moving scene of the work. The violin and viola dialogues guided by the cello's meaningful pizzicato in the second movement also have a deep and thorough flavor that reaches deep into the listener's heart. The third movement, which starts slowly with the atmosphere of the previous movement, draws a contrast with the clever rhythmical middle part and flows into the finale with a calm appearance. Here, they carefully lay down the details while making careful sound without skipping Beethoven's notes, making use of the good flow of music and the pulsation of the rhythm, and singing the full excitement that comes from inside.
In the following string quartet No. 15, I think that their performance will open a surprisingly deep spiritual world of the work one after another. In the first movement, which starts with a suppressed tempo and facial expression, each instrument progresses while interacting with a deep voice, and slight changes in the transition of phrases and changes in tempo and tone become `` punctuation marks '' in the performance, The audience will casually impress the changes in the scene of the work. The main part of the second movement also feels a spiritual dance at a slow tempo, contrasting with the secular dance of the middle part, which imitates a bagpipe. The impressive depth of the third movement, entitled "The Sacred Thanksgiving Song to the God of the Healing," is overwhelming, with breathtaking phrasing, meticulous vibrato, and clear rhythm. One does not stop telling the heart of the work. The graceful march of the 4th movement is performed as a prelude to a new determination, and in the closing movement following the impressed recitative-style phrase, Barchett's poignant, but indelible, expression of the theme, It will echo in the listener's chest.
In DISC2's String Quartet No. 1, there is a Barkhetto figure that turns around and flies the Mozart style fascination in classical modeling, and you can realize the stunning drawing of their work style together with DISC1
Hi-Res无损音乐专辑曲目：
SACD 1
01. 弦楽四重奏曲第9番 ハ長調 作品59-3≪ラズモフスキー第3番≫ I-Introduzione: Andante con moto-Allegro vivace 00:08:16
02. 弦楽四重奏曲第9番 ハ長調 作品59-3≪ラズモフスキー第3番≫ II-Andante con moto quasi Allegretto 00:10:58
03. 弦楽四重奏曲第9番 ハ長調 作品59-3≪ラズモフスキー第3番≫ III-Menuetto 00:05:28
04. 弦楽四重奏曲第9番 ハ長調 作品59-3≪ラズモフスキー第3番≫ IV-Allegro molto 00:06:51
05. 弦楽四重奏曲第15番 イ短調 作品132 I-Assai sostenuto-Allegro 00:09:16
06. 弦楽四重奏曲第15番 イ短調 作品132 II-Allegro ma non tanto 00:08:59
07. 弦楽四重奏曲第15番 イ短調 作品132 III-Molto adagio-Andante 00:17:56
08. 弦楽四重奏曲第15番 イ短調 作品132 IV-Alla Marcia, assai vivace 00:02:24
09. 弦楽四重奏曲第15番 イ短調 作品132 V-Allegro appassionato 00:07:52
SACD 2
1. 弦楽四重奏曲第1番 ヘ長調 作品18-1 I-Allegro con brio 00:07:09
2. 弦楽四重奏曲第1番 ヘ長調 作品18-1 II-Adagio affettuoso ed appassionato 00:12:18
3. 弦楽四重奏曲第1番 ヘ長調 作品18-1 III-Scherzo; Allegro molto 00:03:45
4. 弦楽四重奏曲第1番 ヘ長調 作品18-1 IV-Allegro 00:06:50
5. ヴァイオリン協奏曲第1番 イ短調 BWV 1041 I-(Allegro) 00:04:14
6. ヴァイオリン協奏曲第1番 イ短調 BWV 1041 II-Andante 00:06:44
7. ヴァイオリン協奏曲第1番 イ短調 BWV 1041 III-Allegro assai 00:03:54
8. ヴァイオリン協奏曲第2番 ホ長調 BWV 1042 I-Allegro 00:08:39
9. ヴァイオリン協奏曲第2番 ホ長調 BWV 1042 II-Adagio 00:07:06
10. ヴァイオリン協奏曲第2番 ホ長調 BWV 1042 III-Allegro assai 00:03:05
11. 二つのヴァイオリンのための協奏曲 ニ短調 BWV 1043 I-Vivace 〔モノラル録音〕 00:03:58
12. 二つのヴァイオリンのための協奏曲 ニ短調 BWV 1043 II-Largo ma non tanto 〔モノラル録音〕 00:06:49
13. 二つのヴァイオリンのための協奏曲 ニ短調 BWV 1043 III-Allegero 〔モノラル録音〕 00:04:57
Barchet Qurtett:
Reinhold Barchet: violin, Will Beh: violin
Hermann Hirschfelder: viola, Helmut Reimann: violincello
**** Hidden Message *****
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